The Era of Following One’s Nose

One of my favourite elements of the internet age is the way that, if you are curious, you can accidentally unearth all sorts of funny little factoids. Wiki wormholes, Youtube sessions, the endless pit of knowledge that is Google… In the next few paragraphs I’ll run through what got me thinking about this.

The other night, while DJing in Shoreditch, someone asked for Stevie Nicks – Edge of Seventeen, shortly after I had played the Gigamesh edit of Fleetwood Mac – Dreams.

It turned out that it was missing from my collection, and while remedying that the next afternoon, I googled Nicks, when she joined Fleetwood Mac, and so on. It was during this that I noticed an interesting period in the mid ’70s before she joined, labelled “Fake Fleetwood Mac“, where a band with none of the original members toured the USA, the whole expedition eventually collapsing. There was some disagreement over what exactly happened here. They claimed Mick Fleetwood had agreed to join them, but reneged. He claimed he knew nothing of them. But the tour crashed in a hail of legal writs and recriminations.

None of Fake Fleetwood Mac ever made it into the real band. But Elmer Gantry and Kirby Gregory went on to form Stretch, who’s track Why Did You Do It is an old favourite of mine (and has one of the best “one, two” counts you will ever hear at around 55 seconds in). The whole song is aimed at Mick Fleetwood, and why he hung them out to dry like that.

I was much amused by this discovery, but though that was where the story would end. Not so! In the wiki entry for Stretch it mentions that Italian DJ Gigi D’Agostino sampled the vocals for his hit Bla Bla Bla, chopping the words up in such a way as to render them nonsensical. Curiosity got the better of me, and off to Youtube I went. The track isn’t much cop to my tastes, with a rather corny plodding offbeat bass style similar to the cheesy 90s track Blue Da Ba Dee.

But the vocal sample at the front of the track – that was very familiar. It was what Lupe Fiasco had used in his brilliant 2017 track Jump, flipping the sample into a hip-hop jam of epic proportions, one of my favourites of the year, an absolute beast of a track.

And so there you have it – nothing of particular importance, but a curious little thread running from pre-Nicks Fleetwood Mac to post-Kanye Lupe Fiasco. It made me smile anyway 🙂

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